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Il decalogo del film digitale - Khvan de la Cruz |
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Scritto da Gruppo Creativo Telestreet Bari
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giovedì, 20 luglio 2006 13:41 |
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IL DECALOGO DEL FILM DIGITALE del regista Khvan de la Cruz
"Il cinema è morto. E' morto quando l'economia è morta, quando il gusto del pubblico e la creatività sono morti, quando è morta l'immaginazione delle compagnie cinematografiche multinazionali. Non basterà un milione di pesos a pellicola per fare un filmaker genuino come nei giorni migliori, un vero artista che vuole girare film, non visioni senza cervello di tette e fucili".
Inizia così il "Digital Dekalogo" stilato dalla Filmless films, produzione indipendente creata dal regista filippino Khvan de la Cruz per un cinema in digitale libero, creativo e provocativo.
"Per favore non portate fiori", prosegue il manifesto. Dunque "il solo modo per fare un film è girarlo. Gira quando puoi, non indugiare. SE puoi finire tutto in un giorno perché non farlo? L'indolenza è il nemico della musa. Il regista nell'ombra ora non ha più scuse", si legge ancora. Il testo integrale lo riportiamo in originale E APPENA TRADOTTO INTEGRALMENTE - MAGARI QUALCUNO PUO' RISPARMIARCI UN ULTERIORE SFORZO...- LO INSERIAMO ANCHE TUTTO IN ITALIANO:
Gruppo creativo telestreetbari.it
DIGITAL DEKALOGO
Film is dead. It is dead as long as the economy is dead, when public taste and creativity are dead, when the imagination of multi-national movie companies is dead. At millions of pesos per film production, there is not going to be a lot of happy days for the genuine filmmaker, the true artist who wants to make movies, not brainless displays of breasts and gunfire.
But technology has freed us. Digital film, with its qualities of mobility, flexibility, intimacy, and accessibility, is the apt medium for a Third World Country like the Philippines. Ironically, the digital revolution has reduced the emphasis on technology and has reasserted the centrality of the filmmaker, the importance of the human condition over visual junk food.
Film is dead.
Please omit flowers.
I.
Economics: A minute of celluloid film including processing costs around P1500. A minute of digital film costs around P3. Do the math. A galaxy of difference.
II.
The only way to make a film is to shoot it. Shoot when you can. Do not delay. If you can finish everything in a day, why not? Sloth is the enemy of the Muse. The shadow filmmaker has now run out of excuses.
II.
Your digital camera will not turn you into an instant Von Trier, Figgis, or Soderbergh.Your attitude towards filmmaking should be that of an amateur: half-serious, playful, light, not heavy, thus without baggage. There are no mistakes. The important thing is you learn.
III.
Utilize all elements within your resources. If you have a knack for music, score your own soundtrack. If you have writing skills, craft your own screenplay. If you have money, invest in gear. If you have none of the above, make sure you have good friends.
IV.
Work within a minimized budget, cast, crew, location, and shooting schedule. Artificial lighting is not a necessity. The story is king. Everything else follows.
V.
Work with what you have. Release the bricoleur within.You are not a studio. Accept your present condition. Start here.
VI.
Forget celebrities. Fuck the star system. Work only with those who are willing to work with you, and those who are dedicated to the craft. Avoid pretentious hangers-on with hidden agendas. Use a lie detector if needed.
VIII.
Work with humble, patient, passionate, and courageously creative people. Ignore people who are the opposite.
XI.
If you are alone, do not worry. Digital technology has reduced the crew into an option, rather than a must. Making a film by yourself is now possible. The past is dead. Those who do not change will die.
X.
Create first, criticize later. Take care of the quantity. God will take care of the quality - that is, assuming you do believe in God. A filmmaker makes films, period.
In the name of the revolution,
Khavn
http://www.kamiasroad.com/khavn/dekalogo.htm
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